Boa noite, calor infernal aqui em Sampa ... cabeça inchada com o Verdão !
torcida apoiando e o time faz um papelão !!!!
Obs. (bizarro a turma atrás do gol assistindo no telão !) só no Brasil !
assisti pelo Sportv (Luis Roberto não dá, muito fraco !)
Segunda fui no Belas Artes assistir "Megalopolis" do Francis Coppola ...
fiquei espantado com número de pessoas circulando por lá, numa sessão das 15:30 de uma segunda-feira ... a sala 6 (do filme) tinha bom público para uma tarde
É um filme que merece 2 ou 3 revisões porque tem uma narrativa não linear. Quanto a duração, sem problema, o filme fluí normal... e visualmente é bom
preciso revê-lo para chegar a uma conclusão
A crítica que melhor resume o filme é essa que li abaixo 👇
"On one hand, this film has some interesting ideas and visuals, but some ideas never evolve, and some visuals don't look good.
It's challenging to understand what Coppola's intention was with this film. It seems like he chose not to focus too much on characters but rather on themes. However, some scenes suggest that the audience should feel empathy for the characters, but one simply can't. One reason for that is the pacing of this film; it somehow manages to be fast, yet feel slow, and that might be because some scenes are dull. If we remove all the misleading character development, we are left with misleading idea development. Megalopolis bombards you with interesting ideas, but because there are quite a few of them, none of them evolves into a solid conclusion. As I already mentioned, it's hard to see where Coppola was going with all of this.
If his intention was to go against the classical narrative structure and challenge viewers with a different type of storytelling, then that didn't work either. Some scenes contain clichés, and the overall structure feels like a mix of 50s to 90s scenery. One interesting thing the movie does frequently is plant a seed that sometimes does not grow-it stays in that scene, and then we move to the next one. This method of storytelling is misleading and confusing for most audiences, and it probably would work better if this technique had a solid foundation throughout the whole film. But it simply does not feel right.
David Lynch once said that you can make any film, any art the way you want, as long as it feels right. His films are stranger and more difficult to understand than Megalopolis, yet when you watch Lynch's work, you don't feel misled-everything feels right, no matter how strange it is. Megalopolis sometimes feels right, sometimes it doesn't."
