Mostrando postagens com marcador 70's. Mostrar todas as postagens
Mostrando postagens com marcador 70's. Mostrar todas as postagens

sábado, 5 de março de 2016

70's VINTAGE MESA DE SOM




Uma mesa de som da VIVARA, onde o elemento principal é um PIONNER SX 9000 (amplificador e receptor AM/FM), localizado no painel frontal superior.

Na bancada, dois toca-discos THORENS, um modelo 160 e outro modelo 125, com braço SME e cápsula SHURE V15, tipo 3. Na parte inclinada, um gravador de rolo SONY TC 366  e um gravador de cartucho JVC NIVICO com 8 pistas, além de relógio digital ARTIN.

Os dois VU marcam a altura de intensidade das caixas ADC, enquanto o painel sobre o relógio digital tem chave geral no centro, misturador para toca-discos à esquerda e controle de caixas acústicas à direita.



sábado, 7 de fevereiro de 2015

Pajamas, Yes, Pajamas


1974 - Pajamas are the hot setup when the lining in your leathers starts to go, or if there never was any. You go out riding and sweat a lot into your cotton pj's. Then pull off your leathers and throw them into the corner of the garage; wash the pajamas like you would the rest of your clothing. Your leathers won't stink up nearly as fast and the cotton pj's keep you cooler.

Just don't let anyone see you in pajamas with "pink elephants and blue rabbits" all over them...


sábado, 1 de novembro de 2014

VW


segunda-feira, 28 de outubro de 2013

Don "Spendo" Johnson



   Don "Spendo" Johnson's latest racer is his best. Here he points out a feature to mechanic Rick Edmisten. The Mike Kase Monza sports a 488-inch Montrelli motor for the new season

1976 - Don Johnson underscores his 16th season in drag racing with the debut of the very latest and slickest "Beachcomber" yet, a 1976 Chevrolet Monza AA/Funny Car sporting a striking blend of candies and pearls by Bill Carter.

The Carrier-bodied flopper is based on a 120-inch wheelbase constructed by Mike Case Race Cars from 4130 chromoly tubing. All additional brightwork is the result of Grafton, Ohio's Custom Chrome while Steve Harris is credited with the unique thatch-type lettering.



Power for the pretty Beachcomber comes from a 488-inch late-model hemi featuring components from Hogan's Head Shop, Venolia, Childs & Albert, Ed Pink, Donovan, Crower and Bowers Blowers.

Together with Rick Edmisten, Dave Rego and Gene Barth, Johnson hopes to have the Beachcomber dialed-in by Pomona so he can kick sand in the face of all competition.


quarta-feira, 7 de novembro de 2012

70's VAN CUSTOMIZATION An Armada on the Road

 

Bill Abbott, a truck driver from Cincinnati, Ohio, who is known as "Spanish Fly" by close friends, climbs into his '74 Dodge Van, "Spanish Main" and is a wheelin' conquistador of the highways.

To set the mood Bill's Dodge is emblazoned with colorful murals depicting the Spanish Armada, conquistadores and others Spanish period weapons of war.

The paint job by David Dessauer was rendered in stock yellow with a gold leaf underbase on the murals which were done in reds, orange, gold, black and grey.

On one side are Spanish war ships and on the other a conquistador in full dress astride a white horse. 


The interior was done in a Spanish motif with swords, shields and wood sconces. Cocktail table in center is removable.

Shag carpet on walls, ceiling and floor give warm feeling to the interior. 



The hood and lower panel of the van are done in the same colors blended with black smoke and have swords, shields and battle axes airbrushed over gold leaf.

All artworks is covered with 7 coats of clear. Pinstriping in black and orange is on the hood around the gold reflective letters, also around the license plate, pop-open gas cap and on the doors.

The spoiler on front is painted to mach the lower panels and has the name "Spanish Main" gold leafed on it. The step wells on the inside of all doors are pinstriped in black and orange.



quinta-feira, 1 de novembro de 2012

70's VINTAGE MESA DE SOM




Com base nas exigências cada vez mais sofisticadas dos audiófilos, apareceram as mesas de som, onde praticamente todas as misturas podem ser feitas, para a obtenção de efeitos os mais diversos.

Da QUADAR, um modelo altamente aperfeiçoado, reunindo dois MARANTZ 1060 (pré e amplificador), um toca-discos GARRARD SL 95 e um DUAL 1229, nas extremidades, além de um Cassette SONY TC 160.

Na parte superior da mesa, dois gravadores de rolo AKAI, um deles, o 1730 DSS, com 4 canais, e o outro de modelo X 200 D.

Complementado o conjunto, há um decodificador SANSUI QS1 para 4 canais, uma unidade DOLBY TEAK AN 80 e um sintonizador AM/FM PIONNER TX 500 A.

No centro, uma mesa de mixagem transistorizada com um módulo eletrônico para cada aparelho, 7 módulos ao todo, onde se pode misturar o sinal de qualquer aparelho, gravar em 4 e 2 canais.



quarta-feira, 23 de maio de 2012

NORTH-WEST 200: Pull of the Open Roads


He may have finished well down the list but Peter Clifford has a happy tale to tell about his first ride on a road circuit


Peter Clifford (right) and mechanic Mark Croasdale ensure the little Yamaha twin is in the right shape


"SOMETHING like a cross between a trials section and Bonneville Salt Flats."

That was my reaction to the ten-mile North-West 200 course after one lap in the van round my first roads circuit.

From the very tight almost 180 degree hairpin and sharp right-left flick between stone walls of the Shell Hill Bridge the road heads towards Portrush. Once past the Ballysally roundabout, it's almost flat-out for three miles culminating in a down hill rush to the Metropole Center. Here the fastest machines flash past the 30 mph limit signs at close to 180 mph.

The course also contains a touch of Monaco. Accelerating under the railway bridge in Portrush you sweep left-handed over a brow and over onto the sea front towards the start finish and Portstewart.

After a lap of the circuit we stopped at John Logan's house. John, a local rider, had arranged garaging for the IFB team on a small housing estate in Portstewart. Once settled into the garage we were blessed with brilliant sunshine and plenty of time to prepare the bike for scrutineering which took place between one and five o'clock. This was typical of the easy going time scale as the meeting was held over four days.

On signing-on each rider had to show proof of £3,000 of life insurance, Northern Ireland not being covered by the ACU. The organisers insistence on this point was a legacy of Geoff Barry's fatal accident the previous year and a local insurance agent was on hand to make sure of his three weeks in Acapulco at £11 a head.

At the first session of practice, while we 250s waited for the 500s to get clear, the sun was casting long shadows of man and machine across the track and blazing a bright reflected path on the sea towards the horizon.

I made a mental note to be wary when heading westward back towards Poststewart and the setting sun. As the 250s were signalled away, I hung back to the rear of the pack not wishing to be in the way of those who knew the course better.

So conscious was I of the often quoted dangers of road circuit racing that, at first, I slowed for every curve or kink only to find most were ultra-fast if not flat out.


Last-minute check-over for the IFB-backed machine

Leaving Portstewart the road undulates between hedgerows and walls past the new Coleraine University towards the Shell Hill Bridge. Down this almost straight road the head-wind played tricks with the gearing.

The first part was protected by trees and my bike would just pull top gear, but as the road became more exposed the engine note got flatter until it was necessary to change down.

On the return leg to the Metropole Corner, down-hill with a tail wind, the engine would over-rev easily. On the first lap of practice not everyone was taking it easy. As I cranked into the fast right hander after the Ballysally roundabout I was confronted with marshals and first aid people running across the track and bits of wreckage on the road after a bike had hit a telegraph pole.

The special nature of the circuit was causing problems for many that first evening, most of the fast men walked into the pits for a plug check after the first lap.

The combination of very long straights and sea air can spell death for the two stroke racing engine. The sea air, being so dense, contains more oxygen than that at most mainland circuits necessitating about two sizes larger main jets on the 250 Yamahas.

There was also a marked variation in air temperature, the brilliant sunshine creating warmth inland while the rush along the sea-front was cooled by a sea breeze.

Having been advised to change jets by Steve Parrish's mechanic, Martin Brookman, before the event we avoided the rash of first night seizures that sidelined many riders.

During practice another peculiarity of the circuit became apparent. The two long straights made judging breaking for the hairpins at the end very difficult. Travelling flat-out for so long speed becomes meaningless and timing braking accurately I found tricky. The changing wind direction and speed made using precise braking points unreliable.

Fortunately , there are slip roads at each of the hairpins, a fact that was appreciated by Charles Williams when is front brake failed in the 750 race.   

Peter Clifford takes his place on the packed grid one row from the rear

Arriving at the Shell Hill Bridge he found he had no front brake, shot up the slip road just clipping Ron Haslam as he did so dumping poor Ron on the road.

After taking the bike back to the garage we went to find a camp-site. On discovering that you can drive onto the beach just up the coast from Portstewart, we decided to try out our Transit as a dune buggy. As darkness fell the beautiful stretch of sand became our camp-site for the night.

Thursday was as warm and sunny as the day before and we were back at the garage to check the bike over and to fit an extra fuel tank. My two gallon tank seat unit was too small by about a gallon and I had made an extra tank to add another gallon and a half. After having the bike scrutineered again we were ready for the second and last session of practice.

The qualifying speed for the race was 85 per cent of the average of the fastest six men. I was too slow by 0.3 mph on Wednesday night. I knew I could go faster but then  so would Tom Herron and company at the head of the field.

As the pack streamed along the sea front and out into the country on the first lap, I got my head down determined to go quicker. On approaching a fast right hander some two miles from the start the yellow flags were out.

Two miles is about the distance it takes for a racing two-stroke to come up to working temperature and if it's going to seize it often happens then.

The trail of black rubber on the road told its tale, leaving rider and machine in the drainage ditch.

Occasionally, my bike started to misfire leaving the slow corners. I would have pulled in but I needed the practice and had not yet qualified. I had raised the gearing from the previous night and was holding fifth gear giving out towards the Shell Hill Bridge and using sixth on the drop down into Portrush. On the fourth lap of the session screaming along the outward straight in fifth it seized.


Forty-seventh place for Peter Clifford... but still a very pleasant trip

I coasted to a stop at the Shell Hill Bridge and became a spectator for the rest of the session. When the roads opened we took the van out and collected the bike though it was too dark to work on it then.

There was no practice on Friday, racing being on Saturday. On stripping the carbs my mechanic Mark Croasdale, found scale from the new tank had blocked one of the main jets, hence the mis-fire and seizure.

Having built the extra tank in a hurry, I had neglected to fit filters. I won't do that again. The engine and carbs cleaned-out and rebuilt we were ready for racing with time to spare to see the sunset over Giants Causeway.  Up early on race day we cleaned and polished the bike before taking it through scrutineering.

The race itself, though enjoyable, was a bit of an anti-climax. The bike was terribly slow. I suspect the seizure may have knocked the crank slightly out of true. Whatever the reason I was left for dead on the long straights and had to settle for a lowly finish.

After six laps in forty-seventh place, the best part of a lap behind the winner Tom Herron, I stepped from my bike pleased to have finished but disappointed by the lowly position to have my spirits raised by having ten or so youngsters thrust books in front of me to be autographed.

The Irish must be some of the keenest race enthusiasts anywhere in the world. If you are a rider you will be asked for stickers and autographs all weekend whether you finish first or last.

The total involvement of the whole population in the racing makes the effort and expense of getting there and riding all the more worthwhile. To have someone clear out their garage for you to use for four days, to have help from anyone you ask and the good wishes of everyone made racing in Ireland a special experience.

Like many before me, I found road circuit racing to be very different, very exciting and, somehow, Snetterton won't quite seem the same.

*
R.I.P - 2012

Mark Buckley

"true gentleman who loved the sport."
*




segunda-feira, 23 de abril de 2012

MERCHANDISING


Roger DeCoster Boot 


Heikki Mikkola Gloves 


Jim Pomeroy Pants



sexta-feira, 6 de abril de 2012

GEORGE BARRIS, DREAM MACHINE




When Jacqueline Suzanne wrote her best selling novel, "The Love Machine" she had something in mind beside cars, but custom car engineer George Barris of North Hollywood, California, has come up with a little item that may shake up the automotive world as much as suzanne's novel shook the literary scene and for much the same reason.

Hardly bigger than a normal car, Barris's luxurious "Dream Machine" is outfitted with conveniences that would make a millionaire envious. The most striking facet of what Barris has created in cooperation with General Motors is a six foot, circular and revolving velvet sofa that may well be the most popular item in this love buggy.

With its tufted top and the shag rug on its perimeter, the sofa seems to have been taken from an old C.B. DeMille film, and like the old DeMille flicks, will probably be the witness and willing partner of many an orgy.

The car has what Dodge calls a "cocktail servateria". Basically it's a bar, with two cut-glass decanters. Four glasses accompany, the decater, in case you have triplets beside you on the couch.




For more mundane entertainment, there is a color television set. Or, if you want a little mood music, flip on the a.m. or f.m. radio. Or, in case you're the type who likes to program his own, there is a conventional stereo tape set-up. You can play or record what you like. If you don't have any long-play tapes suitable to the occassion, and still don't want the radio on, there is also a cassette tape deck.

There is nothing dull about this dream machine. The sides of this mobile bachelor pad are glass, covered with charcoal colored polaroid sheeting which will keep out sunlight, moonlight, and probably spotlights.

The sides can be raised for enjoyment of the great outdoors, and the lower half can be dropped to provide easy access to whatever you need from inside.




Technically, the dream machine is quite a car. It is built on a standart Dodge 108 Sportsman Van chassis, with heavy duty shock absorbers. It is hardly longer, and no taller than a conventional car, and can go practically anywhere. The recessed headlamps and taillights are protected by a series of metal bars.

The paintjob has a high lustre, the result of forty hand-rubbed coats described as "burnt orange sunset pearls of essence, blended with a bright sunray yellow candy lacquer".

The rest of the creation is just as fantastic as the paint job, all the result of many hours of hard work and the creative mind of George Barris. From bumper to bumper and from bedroom to driver's seat, this sex palace on wheels is a truely creative example of the infinite variety of man's mind.

*

quarta-feira, 4 de abril de 2012